The state of things in digital humanities today rests in that creative tension, between those who’ve been in the field for a long time and those who are coming to it today, between disciplinarity and interdisciplinarity, between making and interpreting, between the field’s history and its future. Scholarly work across the humanities, as in all academic fields, is increasingly being done digitally. The particular contribution of the digital humanities, however, lies in its exploration of the difference that the digital can make to the kinds of work that we do, as well as to the ways that we communicate with one another. These new modes of scholarship and communication will best flourish if they, like the digital humanities, are allowed to remain plural.
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